Monday, July 12, 2010

92. July 11/12, 2010 - A Man For All Seasons (1966)

I am totally striking out with the Best Picture winners from the 1960s. I can't stand The Sound of Music, it took me months to finally get through Oliver!, I was disappointed by Midnight Cowboy, and I can't stand to get more than 10 minutes into West Side Story (which is now the only one of the decade that I have yet to see). This movie, unfortunately, is boring. King Henry VIII wants to divorce Catherine of Aragon to marry Anne Boleyn (we all know how THAT turns out) and everyone is fighting over it. It's a sin, it's not a sin, it's treason, sign this oath, throw him in the tower, blah blah blah. Sounds like it should be exciting, though. Too bad it's not.
My Netflix rating: 3 stars

91. July 10, 2010 - Eclipse (2010)

I am a good friend, which means I will watch this a third time with someone who hasn't seen it. It's interesting, actually, because I notice new things each time. For instance, I have finished the book again since I saw this the first two times, and most of the cringeworthy dialogue in the film is actually word for word from the text. It's also incredibly obvious that the film's composer was Howard Shore - parts of the score sound identical to Lord of the Rings. I continue to be very impressed with Dakota Fanning as a vampire and Catalina Sandino Moreno as Maria is fantastic. I wish we could have seen more of her. Usually I don't like recasts, but Bryce Dallas Howard is actually closer to how Victoria is described in the book, so I guess I can't complain all that much.

First and second entries are here and here.

Sunday, July 11, 2010

90. July 8/9, 2010 - Team America: World Police (2004)

First and foremost, this movie entirely features marionettes. With all of the puppetry done by hand. It almost doesn't matter how good or bad the film is - I was sold then and there. Of course, I also discovered that the movie is pretty hysterical. I honestly don't think that the goal was to deliver a political message one way or the other. It's just supposed to be funny and make some well-aimed jabs at certain people or institutions along the way. The Matt Damon doll made it into my paper on how those with special needs are represented in our popular culture, too. The unrated version doesn't include anything extra except a few disturbing additions to the puppet sex scene. Yes - two anatomically-INcorrect marionettes do in fact go at it. For a long time. You have been warned.
My Netflix rating: 4 stars

Saturday, July 10, 2010

89. July 8, 2010 - Toy Story 3 (2010)

I think that a lot of movies for children rely on emotional manipulation to make themselves more relatable to the adults who inevitably have to accompany their kids. This one doesn't need to do that, which I think is a sign of a great film. This is, by far, my favorite of the Toy Story's. It brings to the front the issue and sad reality that things don't last forever - except things molded in plastic. Andy, the child at the forefront of the first two films, is no longer a child and is going off to college. What, then, is to happen to his childhood toys? Prepare to cry - anyone who has ever had to leave any part of their life behind will be able to relate. Critics were right who said that this is the best movie of the summer so far.
My Netflix rating: 4 stars

Wednesday, July 7, 2010

88. July 7, 2010 - Toy Story 2 (1999)

I should start by reminding you all that despite my best efforts, I just don't really like Toy Story the first. I also don't like stories that rely on their characters being in Sudden Imminent Danger to drive the plot. BUT, I really liked this movie somehow. Maybe it was because it flipped the Woody/Buzz relationship from the first one and made it Buzz who was looking out for his friend. Or maybe it was because of the character of Jessie, whose memories of her former owner (set to the Best Song nominee "When She Loved Me") makes me cry. Regardless, I felt that I needed to see this before I saw Toy Story 3, which has been getting the best reviews of anything this summer.
My Netflix rating: 4 stars

Tuesday, July 6, 2010

87. July 5, 2010 - Signs (2002)

I hold firm in my theory that this is M. Night Shamylan's last good film. Though I haven't seen The Last Airbender yet, early reviews have not been encouraging. What happened to him? The Village had real potential until he pulled the trigger on the twist WAY too early - a whole hour of Bryce Dallas Howard running blind through the woods isn't interesting. But here, excepting of course the terrible ending, the story is good. He should be allowed to write stories, just not scripts (though Joaquin Phoenix is funny as he runs around his house shouting "I'm gonna beat your ass, bitch!").

My first thoughts on this one are here.

Thursday, July 1, 2010

86. June 30, 2010 - Eclipse (2010)

Just like Iron Man 2, I went at midnight and again the next day. Different people each time, though. I think this might be my favorite of the books, mostly because I really love the other Cullens way more than Bella, Edward and Jacob. Here we get to hear why Rosalie is so bitter, we get to see Jasper's life story (complete with Catalina Sandino Moreno as his maker Maria), and we get to see all the Cullens get badass in the newborn fight. I find the six of them to be far more interesting characters than the main trio.

The first entry is right before this one.

85. June 29, 2010 - Eclipse (2010)

I tried to watch New Moon too, but I ran out of time. Oh well. The midnight showings of these movies really are fun spectacles. The crowd cheers when the lights go down. They cheer when the title comes up. They cheer (a lot) when Jacob shows up for the first time without a shirt on. And they clap when it's over. This was definitely be most well-made Twilight movie so far and I'll say that the fight scene was actually really cool (which is good, since this is really the only fight scene in the whole series. The anticlimactic end of Breaking Dawn doesn't count). I was disappointed in Melissa Rosenberg, though, for her cop-out use of voiceover. In the first film, the voiceover served as Bella's inner monologue - it was clear that she was talking to herself. In this, it seems like she's talking to the audience to make sure that all vital information gets relayed and nobody misses anything. Sloppy writing.
My Netflix rating: 4 stars

84. June 28, 2010 - Twilight (2008)

Yeah, yeah, I know. It's not a great movie and they're certainly not great books, but I can't help really liking it. That being said, this is in no way an accurate or even flattering representation of teenage love. The important thing to remember with these books/movies is that they're fantasy. Everything about them is heightened and dramatized for effect and to fit in with the genre. Bella and Edward stare at each other smolderingly but that's because they are ultimate star-crossed lovers. Buffy and Angel used to stare at each other that way too, but you never saw teenage fangirls proclaiming that they wanted to be just like them. Don't aspire to be like Bella Swan - just enjoy the movie.

My original entry is here.

83. June 27/28, 2010 - The Boys Are Back (2009)

Clive Owen is very pretty, but this movie is boring. He plays the struggling single father to two sons as an odd blend of sensitive and completely uncaring. The younger boy, Artie, is not adorable in his oddness - he's annoying. The older boy, Harry, has no character arc other than throwing plates around the kitchen and crying for no discernible reason. When a crowd of unruly teenagers show up to take over the house for a party, how exactly do they get in? Do they break down the doors? Smash the windows? It's never clear, but the implication is that they do so against Harry's will. Since the house appears to be intact, I assume he let them in. Not so much against his will then, is it?
My Netflix rating: 2 stars

Friday, June 25, 2010

82. June 25, 2010 - Marty (1955)

Another Best Picture winner that I hadn't seen! It starts out well - the characters are nicely established and the conflict is not overstated or blatant - but as the story goes along, it devolves. Marty seems to regress in his character arc, not move forward along it, and comes dangerously close to "Matt Saracen doesn't leave Dillon because he feels guilty about Grandma" syndrome. Not until the last 60 seconds of the film does he win any kind of respect or warm feelings from the audience. The side plotline about the aunt also seems superfluous.
My Netflix rating: 3 stars

81. June 23/24, 2010 - The Ugly Truth (2009)

I watched this even though I had heard that it was really bad and, happily, it was not as wretched as advertised. Katherine Heigl managed not to annoy me to the point of shutting it off (and actually made me laugh once or twice) and though Gerard Butler was sadly sans accent, he's still nice to look at. Their characters hate each other and hate to love each other and that's not really plausible the way that the story is set up, but my main argument is that, given that this is from the writing team that brought us Legally Blonde and 10 Things I Hate About You, it should have been so much better.
My Netflix rating: 3 stars